THE HUNGER

'Don't Trust Himbos with Telephones' 

Oil and Acrylic on Cotton

250cm X 300cm

In ‘The Hunger’ Gabriel Francez and Patrick Mullins question the ritual of pleasure in our society, where self satisfaction is an obsession. In our quest for pleasure we seek an escape from reality putting faith in something we can control. This hypnotic call that comes from within in our darkest moments gives us salvation. Committing us to its command. 

We entrust that something so liberating, as if from another world, can truly free us. But this search for deeper gratification can confine us, blind to its entrapment. Gabriel Francez and Patrick Mullins explore the potential perils of this aspect of human nature by their own respective narratives, weaving a tale of men entranced by their hunger and sirens commanding it’s power. 

"He'd eat anything he could, even Her."

Oil and Acrylic on Canvas

250cm X 250cm

'Object for Your Viewing Pleasure:a Landscape´

Oil and Acrylic on Canvas

300cm X 250cm

‘He had long forgotten when he had first fallen under her spell. Maybe months, possibly years. He’d at least seen the season’s change from the sweltering summer to this frigid winter. He had barely gone to the window to see what lay at the road below, but the tree outside the bathroom window had long lost its leaves and lay limp at the sill’s edge. Kept boy, he joked to himself, he was not ashamed of the notion. Walking to the mirror he took in his reflection again, it had become second nature to him, like brushing his teeth or applying La Mer to his cheeks. He’d do this twice a day, as he rose and before he slept, making sure that nothing had changed. He had to be perfect. It was what she wanted. Tilting his head to the side he traced his eye down his neck and his shoulder and down his arm. Twisting his wrist away from his hip and then up towards his chest, squeezing his tricep and then his bicep. He did the same to the other side, ensuring they were equally symmetrical. Satisfied, he lathered his skin in olive oil, deeply massaging the liquid into his muscles. And then he went to bed.


Walking down the corridor to his bed, she ignored the cabinets and paintings that lined it. She walked over to his bed, taking in the shape of him cradled in silk. He was always a vision, especially in slumber, when his face was at ease. Truthfully he always seemed at ease. She could never admit it but she was equally as bewitched by him, one of those beauties that one wanted to possess. She saw him as her most prized piece. The man to complete her collection.’

Á Wretches Debt to a Siren´

Oil and Acrylic on Canvas

250cm X 250 cm

There is great power in pleasure, what we command of it but also how it commands us. The relationship between the thing that releases our desires brings us deeper to our sense of self, of autonomy over our identity and what defines us. Patrick Mullins responds to this using the image of a Femme to represent the allure of pleasure and a Masc figure defining our own weaknesses. Through 6 large scale oil paintings, Mullins tells the story of a man releasing himself to his desires until he has lost himself, so given into his ‘Hunger’ that he consumes the very notion of it. His form slowly starving from his ever growing consumption. Exploring the concept of power within femininity and the softness in the masculine form via the subjects depicted, he subverts the expectations of gender roles in the pursuit of pleasure. The femme subject an ambivalent Femme Fatale and the Masculine figure a subject at every whim.

´Bouqets of Keys from Pathetic Things´

Oil and Acrylic on Canvas

300cm X 250cm

Using Format